A key figure in the vanguard of Bolshevik artists who shaped the aesthetic program of Soviet Russia, El Lissitzky was a pioneer of design, architecture, typography, and installation art. Although he suffered from tuberculosis, he rarely slowed down. Nach längerem Aufenthalt in Deutschland und der Schweiz (1921–1925) kehrte er 1925 in die Sowjetunion zurück und unterrichtete bis 1930 an der Moskauer Kunsthochschule Wchutemas in der Abteilung Stahl und Metalle. At the top is a Hebrew letter as a numeral in animal form. Lissitzky, El (*1890 Potschinok, †1941 Moskau) Der russische Architekt und K nstler El Lissitzky (eigentl. El Lissitzky is an inventor of a new art movement, that he called "prouns". Rick Poyner, design-critic and author, notes in his book: No More Rules, Graphic Design and Postmodernism (2003), that “young designers constantly evoked the achievements of … information), 23 Novembre [ OS 11 Novembre] 1890-1830 Décembre, 1941), connu sous le nom El Lissitzky ( russe: Эль Лисицкий, yiddish: על ליסיצקי), était un artiste, designer, photographe, typographe, polémiste et … Plusieurs formats disponibles. He experimented with photomontage, a method of layering and superimposing multiple images. Universal artist El Lissitzky (1890-1941) is one of the key protagonists of constructivism. El Lissitzky is rightly classified as a “pioneer” in exposition design. El Lissitzky was Jewish and began his career as an illustrator of children's books in Russian language and culture. Lissitzky experimented with new technologies and media, developing a style that helped define 20th-century propaganda and modern graphic design. From Wikimedia Commons, the free media repository. He was an important figure of the Russian avant-garde, helping develop suprematism with his mentor, Kazimir Malevich, and designing numerous exhibition displays and propaganda works for the Soviet Union. He was an important figure of the Russian avant-garde, helping develop suprematism with his mentor, Kazimir Malevich, and designing numerous exhibition displays and propaganda works for the Soviet Union. Wie viele andere Russen in seiner Lage ging er daraufhin nach Deutschland und studierte 1909–1914 Architektur und Ingenieurwissenschaften an der Technischen Hochschule Darmstadt; das Studium schloss er 1915 mit dem Diplom in Moskau ab. Graphic Icons: Visionaries Who Shaped Modern Graphic Design, The Type Project Book: Typographic projects to sharpen your creative skills & diversify your portfolio, The Designer's Guide to Product Vision: Learn to build your strategic influence to shape the future. El Lissitzky (1890-1941) was an artist, designer, photographer, typographer, polemicist and architect. by Vladimir Mayyakovsky, designed by El Lissitzky,1927. This is a faithful photographic reproduction of a two-dimensional, public domain work of art. These were the Constructivists. See more ideas about constructivism, russian constructivism, suprematism. El Lissitzky’s “Beat the Whites with the Red Wedge” is the perfect example of this. El Lissitzky was born on November 23, 1890 in Pochinok, a small Jewish community 50 kilometers (31 mi) southeast of Smolensk, former Russian Empire.During his childhood, he lived and studied in the city of Vitebsk, now part of Belarus, and later spent 10 years in Smolensk living with his grandparents and attending the Smolensk Grammar School, spending summer vacations in Vitebsk. Lazar Markovich Lissitzky listen (Лазарь Маркович Лисицкий, November 23, 1890 – December 30, 1941), better known as El Lissitzky (Эль Лисицкий), was a Russian artist, designer, photographer, teacher, typographer, and architect. Most of his work was politically oriented, as was most of the work produced in that era. Lissitzky experimented with new technologies and media, developing a style that helped define 20th-century propaganda and modern graphic design. The work of this cerebral artist was a force of change, deeply influencing movements and related figures such as De Stijl and the Bauhaus. El Lissitzky is one of the leading artists of Russian and European avant-garde. Throughout his career, El Lissitzky was interested in graphic design, or the visual appearance of things like books, magazines, and posters. Design by Barney Bubbles. El Lissitzky (1890–1941) Alternative names: Čeština: El Lisickij. He foreordained the development of architecture and design of the XX century. His diverse talents in painting, architecture, typography, and design allowed him to connect movements like Constructivism, De Stijl, Dada, and the Bauhaus. 1920–1921 war er Leiter der Architekturabteilung der Wchutemas in Moskau. Lissitzky was a Russian avant-garde artist who did not limit himself to developing a form of abstract painting but rather extended the new functionalism to photography, book design, architecture and urban planning. El Lissitzky worked on the journal "The USSR in Architecture", for which Lissitzky and his wife, Sophie Lissitzky-Küppers, designed a great many issues. composition: 12 1/8 x 12 5/8" (30.8 x 32.1 cm); sheet: 21 x 17 7/8" (53.3 x 45.4 cm). El Lissitzky. Publishers of technology books, eBooks, and videos for creative people, Home A key figure in the vanguard of Bolshevik artists who shaped the aesthetic program of Soviet Russia, El Lissitzky was a pioneer of design, architecture, typography, and installation art. Lissitzky experimented with new technologies and media, developing a style that helped define 20th-century propaganda and modern graphic design. His stylistic characteristics and experimentation with production techniques developed in the 1920s and 30s have been an influence on graphic designers … Seit 1931 war er leitender Künstler-Architekt der ständigen Bauausstellung im Kulturpark Gorki in Moskau und ab 1932 ein ständiger Mitarbeiter als Buchkünstler für die Zeitschrift USSR im Bau. El Lissitzky, Russian born in 1890, was one of the few to influence the Bauhaus school of design in the early 1900’s. In dieser Zeit entstanden auch seine experimentellen Entwürfe mit dem Namen Proun, einem Akronym für «Projekt für die Behauptung des Neuen», welches als Weiterführung des Suprematismus in die dritte Dimension verstanden werden kann. Shop affordable wall art to hang in dorms, bedrooms, offices, or anywhere blank walls aren't welcome. by Vladimir Mayyakovsky. Jan 27, 2014 - This Pin was discovered by Robert Basik. Jump to navigation Jump to search. His famous prouns (short for “projects of the approval of the new”) conquered Europe – the “Prouns’ Room” was created in Berlin, and the principles developed by Lissitzky were used by such artists as V. Tatlin, P. Mondrian, etc. 1927–1928 bekam er den Auftrag zur Gestaltung des Abstrakten Kabinetts in der Niedersächsischen Landesgalerie Hannover. Посмотрите больше … 1920–21, published 1923. Русский: Эль Лисицкий. Feb 10, 2016 - Explore Jung Chao's board "El Lissitzky" on Pinterest. The visionary constructor. in Potschinok, Russland; † 30. > your own Pins on Pinterest November 11] 1890 – December 30, 1941), known as El Lissitzky (Russian: Эль Лиси́цкий, Yiddish: על ליסיצקי‎), was a Russian artist, designer, photographer, typographer, polemicist and architect. One from a portfolio of ten lithographs. Geometrische Elemente wurden in einen für jedermann verständlichen politischen Symbolismus verwandelt. Below is an examples of a self-portrait made by Lissitzky in 1920 (see fig 2) and a photomontage called «The Law of Series» by Làszlo Moholy-Nagy in 1925 (see fig 3) (www.moma.org, 2014). El Lissitzky was a Russian born artist, designer, typographer, photographer and architect who designed many exhibitions and propaganda for the Soviet Union in the early 20th century. The way he organized space gave words a new energetic power. Mostly notably he integrated typography and page elements into a new and dynamic compositional style. Zusammen mit Kurt Schwitters arbeitete er an der Zeitschrift Merz. A key figure in the vanguard of Bolshevik artists who shaped the aesthetic program of Soviet Russia, El Lissitzky was a pioneer of design, architecture, typography, and installation art. Dies ist ein Teil des Wikipedia-Artikels, der unter CC-BY-SA-Lizenz verwendet wird. The New Man (Neuer) from Figurines: The Three-Dimensional Design of the Electro-Mechanical Show Victory over the Sun (Figurinen, die Plastische Gestaltung der elektro-mechanischen Schau Sieg über die Sonne). He aimed to establish a visual language using shape and color instead of letterforms; in his famous political poster Beat the Whites with the Red Wedge, geometric shapes tell the story of the revolutionaries shattering the establishment. ” Klinom krasnym bey belykh!) info); November 23 [O.S. Other graphic designers, such as Russian born constructivist El Lissitzky and the Hungarian born Làszlo Moholy-Nagy, did also create art work which merged photos with elements of abstract geometric shapes. See more ideas about constructivism, constructivist, russian constructivism. composition: 12 1/8 x 12 5/8" (30.8 x 32.1 cm); sheet: 21 x 17 7/8" (53.3 x 45.4 cm). El Lissitzky (1890-1941) was an artist, designer, photographer, typographer, polemicist and architect. November/ 22. The work of this cerebral artist was a force of change, deeply influencing modern art including the De Stijl artists and Bauhaus instructors. Russian-Soviet painter, architect, graphic designer, photographer, artist and type designer: Date of birth/death : 10 November 1890 (in Julian calendar) 30 December 1941 Location of birth/death: Pochinok: Moscow: Authority control: Q152233; VIAF; ISNI; ULAN; LCCN; NLA; WorldCat; Licensing. Wikipedia entry Introduction Lazar Markovich Lissitzky (Russian: Ла́зарь Ма́ркович Лиси́цкий, listen ; November 23 [O.S. 26.06.2014 - Автор пина:Patrick Newhouse. The New Man (Neuer) from Figurines: The Three-Dimensional Design of the Electro-Mechanical Show Victory over the Sun (Figurinen, die Plastische Gestaltung der elektro-mechanischen Schau Sieg über die Sonne). Discover (and save!) The architect, photographer, designer, graphic artist and painter first studied architecture at Darmstadt Technical University (1909-14) and in Moscow (1914-18), and then followed Marc Chagall’s invitation to teach at Witebsk Art School, where he met Kazimir Malevich. Als ausgebildeter Architekt sah El Lissitzky seine Arbeit als Interaktion zwischen Architektur und Malerei. November 11] 1890 – December 30, 1941), known as El Lissitzky (Russian: Эль Лиси́цкий, Yiddish: על ליסיצקי‎), was a Russian artist, designer, photographer, typographer, polemicist and architect. He was an important figure of the Russian avant-garde. El Lissitzky (1890-1941) was an artist, designer, photographer, typographer, polemicist and architect. Cette affiche de 1919 est l’une des plus marquantes d’El (abréviation de Lazar) Lissitzky (1890-1941). Nach Kindheit und Jugend in Smolensk bewarb sich El Lissitzky 1909 an der Kunsthochschule von Sankt Petersburg, wurde dort aber als Jude abgewiesen. He was one of the principal innovators of modern typography and photo… © 2020 Pearson Education, Peachpit. Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube. info); November 23 [O.S. El Lissitzky (1890-1941) Lazar Markovich Lissitzky was a visionary artist/designer who worked in exhibition design, photomontage, poster and book design. During the post-war period, emerged a new style in graphic design called the Swiss Style, which led to the appearance of the International Typographic Style (International Style). Lissitzky’s design work had several distinguishing characteristics—layouts structured on a grid, limited color palettes, tense diagonals, sans serif type, and repetition of pure geometric forms. Continuing an occasional series about the work of particular artists or designers being used on record sleeves. Sein Werk beeinflusste dann die De-Stijl-Bewegung und das Bauhaus. To him, sequencing the pages of a book felt like cinema. Partly because of his constant expansion and experimentation into many different mediums and styles, and his spirit of innovation in them, Lissitzky's work is generally held in high regard by historians and critics. November 11] 1890 – December 30, 1941), known as El Lissitzky (Russian: Эль Лиси́цкий, Yiddish: על ליסיצקי‎), was a Russian artist, designer, photographer, typographer, polemicist and architect. Beat the Whites with the Red Wedge (“ Клином красным бей белых! Design, 1890–1941 | born: Pochinok, Russia | education: Technische Hochschule, Polytechnic Institute of Riga. November 11] 1890 – December 30, 1941), known as El Lissitzky (Russian: Эль Лиси́цкий, Yiddish: על ליסיצקי‎), was a Russian artist, designer, photographer, typographer, polemicist and … “Proun” means “proekt utverzdeniya novogo” (design for the confirmation of the new). Er pflegte Künstlerbekanntschaften mit Hans Arp (gemeinsame Arbeit an der Schrift Die Kunstismen, die 1925 veröffentlicht wurde), Kasimir Malewitsch, Jan Tschichold und Willi Baumeister. November 11] 1890 – December 30, 1941), known as El Lissitzky (Russian: Эль Лиси́цкий, Yiddish: על ליסיצקי ‎), was a Russian artist, designer, photographer, typographer, polemicist and architect. In Hannover hatte er 1922 die Kunsthistorikerin Sophie Küppers kennengelernt, 1927 heiratete das Paar und lebte in Moskau. 1918 wurde er Mitglied der Abteilung für Bildende Künste (ISO, russisch Изобразительный Отдел) der Kulturabteilung NARKOMPROS in Moskau. Lissitzky experimented with new technologies and media, developing a style that helped define 20th-century propaganda and modern graphic design. Der vollständige Text des Artikels ist hier →, UNOVIS (УНОВИС) (The Champions of the New Art), https://de.wikipedia.org/wiki/El_Lissitzky, Cover of booklet of Soviet Division of the International Exhibition of Hygiene in Dresden, Cover for 'Good!' El Lissitzky continues to have a notable impact on both the design and art world. He was an important figure of the Russian avant-garde, helping develop suprematism with his mentor, Kazimir Malevich, and designing numerous exhibition displays and propaganda works for … Trained originally as an architect, he began his career illustrating Yiddish children's books. He foreordained the development of architecture and design of the XX century. Below is an examples of a self-portrait made by Lissitzky in 1920 (see fig 2) and a photomontage called «The Law of Series» by Làszlo Moholy-Nagy in 1925 (see fig 3) (www.moma.org, 2014). One from a portfolio of ten lithographs. (The appropriately named Black Circle is one of Malevich’s works.) Lissitzky’s design work had several distinguishing characteristics—layouts structured on a grid, limited color palettes, tense diagonals, sans serif type, and repetition of pure geometric forms. That integration produced layouts that not only engaged the eye, but also clarified and emphasized the content. All rights reserved. Mostly notably he integrated typography and page elements into a new and dynamic compositional style. During the post-war period, emerged a new style in graphic design called the Swiss Style, which led to the appearance of the International Typographic Style (International Style). El Lissitzky was born Eleazar Markovich Lisitskii, in the town of Pochinok, a small, heavily Jewish-populated community in the western region of the former Russian Empire. One of his most famous works was a propaganda poster titled Beat the Whites with the Red Wedge, done around 1919. Mit seiner Ablehnung des ihn gestalterisch einschränkenden Gutenbergschen Bleisatzes sah El Lissitzky früh die Wende zum Fotosatz voraus. 1923 erkrankte er an Tuberkulose, die er in einem Sanatorium in Locarno behandeln ließ. El Lissitzky's artistic career was abstract, theoretical, community-oriented, and idealized in communist equality. His work greatly influenced the Bauhaus and constructivist movements and he experimented with production techniques and stylistic devices that would go on to dominate 20th-century graphic design. is a 1919 lithographic Soviet propaganda poster by artist Lazar Markovich Lissitzky, better known as El Lissitzky. Lazar Markovich Lissitzky, known as El Lissitzky, was a Russian artist, designer, photographer, typographer, polemicist and architect. November 1890greg. Other graphic designers, such as Russian born constructivist El Lissitzky and the Hungarian born Làszlo Moholy-Nagy, did also create art work which merged photos with elements of abstract geometric shapes. Articles English: El Lissitzky. Unique El Lissitzky Posters designed and sold by artists. I automatically wanted to further research this genre because it is something I can’t really understand. Rick Poyner, design-critic and author, notes in his book: No More Rules, Graphic Design and Postmodernism (2003), that “young designers constantly evoked the achievements of … El Lissitzky übte verschiedene Lehrtätigkeiten aus, unter anderem ab 1919 an der Kunsthochschule im weißrussischen Wizebsk (vom damaligen Direktor Marc Chagall angeworben; an der Hochschule lehrte auch Kasimir Malewitsch). I am a product of organization; my mom has instilled in my mind that everything should be kept neat and in its place. These 10 illustrations share a common page design, always divided into three parts.